片名：《神的记事本》

简介：该片讲述了:见面后樱之才知道✍✖，白考儿如果拿掉孩子，以后就很难再有孩子☠了，不管怎么样，♣白考儿都想要这个孩子☑，说好了她要给耿墨池惊囍✖喜的，但是耿墨池如果知㍿道，一定会很伤心☷。白光和贺涵也☃赶来看望罗母，只有一丝气力的罗母，☣还虚弱着劝子群抓紧时♧☰间和白光离婚，又✁告诉贺涵子君喜欢☃他，甚至希望把子君的✂♨下半辈子都交给贺涵，希☒✉望贺涵能善待她，唐晶☚也来看望薛甄珠，薛☁甄珠马上改口让优秀✁☃的唐晶把贺涵让给子君♦，唐晶随便就可以☀再找一个贺涵，子君就没☚这样的本事。Sc✡orsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.